Poems by Annabel McSpadden

Poems by Annabel McSpadden

Some late, wisteria-loose April era, Every hour moves in the trees, Gold. Wisteria: Lethargy strands, Purple’s slowest shade, Parking lot altar, Flower girl wandering In wordless proclamation - This string of days Gives itself away. Rise - sink - rise - Would you call light Hysteria If I took it in my eyes And blinded to the lies I write: Time, self, Rhymes and Pride in them? Wrap all of me but my body In wysteria. I’ll see specks of her Glinting in the golden commonality - Call her ego, Call her motes, But she’ll fade. She fades and fades.

I don’t hallucinate,
but I dream hallucinations - 
each voice a fingertip
against my eyelid,
each voice sourced
from some deep awareness. 
somewhere, I name the fear:
universes scattering as they always have,
but, this time,
letting me watch.


like two fingers per eye pressed hard enough to see lightning, I light upon sudden peace - I darken. like rain green flowers, sweet green flowers on half the tree, you suggest the branches that touch my window tell least surprising halves of stories. what would it mean to write cues on my hands, line cues like curios on the sill - cue essences, memories of essences so wonder takes no induction but constant, constant, resurrects?

"PROTEST POEM 101" - Mark Flanigan

"PROTEST POEM 101" - Mark Flanigan

Shit man, holy moly, I mean wow. 
Geezle peats, you know?

Goddamn that was good.

I needed that.


You know what I mean.  

Hot damn.

Jesus, Mary & Joseph.

I mean, you got to be kidding me.


You know what I’m saying?

Just so awesome.

Good lord.

Thanks for that.

Jiminy Frickin’ Cricket.

For real. 

(Mark Flanigan, the first featured reader at Word of Mouth in December 2009, returns to the Globe tomorrow, Wednesday January 8, for the tenth aniversary celebration. Open mic sign-up is @ 7 pm and readings begin upstairs at 8 pm.)

"The Death of Superman" - Elsa Russo

"The Death of Superman" - Elsa Russo

I don’t drink as much anymore because Superman died

If you can believe it
We had a full conversation once
In which it was decided collectively that I should never try hallucinogens
Unless there is a trusted friend there to take care of me
He volunteered to be the trusted friend
But I was not so sure how much he could be trusted
Not that he wouldn’t take care of me
But pretty sure he wouldn’t resist the temptation to mess with me

I don’t drink as much anymore because Superman died

On a rare day when I could walk downtown
During a long bout of pain and painkillers
I told him I had taken four vicodin that day
What were my chances of surviving this whiskey?
He told me my chances were good
But he kept an eye on me

I don’t drink as much anymore because Superman died

It was at the end of that bout of pain
That I heard he hadn't survived
Took a long dive that he had done a hundred times before
But this time hit the ground
I felt stupid coming to my friends with good news
But they begged me for it
Anything to ignore the fact

That we don't drink as much anymore because Superman died

Because you see the problem with being friends with Superman
Is you forget that he’s actually a human
And while he has survived this before
There is no guarantee he will again
And I forgot that
And he forgot that
We all forgot that

I don’t drink as much anymore because Wyatt died

And I am sick to death of supermen

[art by elsa russo]

"Everyone steps in a bear trap" - David Noah

"Everyone steps in a bear trap" - David Noah

Everyone steps in a bear trap,
and wears it as an anklet, painful,
invisible to the eye, but making a clanking
nevertheless, and audible even when
we speak of the stars.
Everyone bears a crown, unseen,
a hat with a hole to the sky,
a bit of panache as the world goes by,
and the light falls in, even when
we speak of the dark.

(Self-portrait by David Noah)

Saturday DECEMBER 14: Celebrate the release of "Everything Mad with Love" by Athens author, artist, poet and photographer David Noah @ Normal Books, Prince Avenue in Normaltown.
"Everything Mad With Love" is a collection of street photographs taken in New York, Philadelphia, San Francisco, and Athens, GA. The photos are unconsciously made fables sprung in an instant from the spaces in our ordinary world. Circus artists, lovers in parks, mirrors in Times Square, cement dinosaurs, and tragic pedestrians all find a home in these images. David will hold a brief chat about his book and photography and then sign books.
David Noah has been a photographer for many years and lives with his wife in Winterville, GA. He has worked as a printer, an art teacher, and an academic. His work is often included in local juried exhibits such as the yearly shows at Lyndon House and OCAF.

"Her Rage" - Aralee Strange

"Her Rage" - Aralee Strange
If anybody can save this world she’s a woman
and is she pissed
pre-fabricated domesticated deformed and suppressed
underdressed depressed obsessed with herself
seduced made ashamed and treacherous
made less.
She will raise her voice in hallelujiah!
she will raise her eyes and equal to
she will raise her fists if she needs to
she will know how.
And she will ask:
How if we waste the children who will lead us
shall we endure?
Why must they atone for the sins of the fathers
who sacrifice to their false gods all life
for the sake of pride and poor judgement
for who owns what
who own nothing
who know nothing
who would have us murder and destroy
them and how many of us
to save face
to prove whose god is great
who owns the night
whose mighty fist is biggest?
And she will say:
Let my will be done
for a change
my ways my means
my benevolence my praise
my rage
my rage.

Aralee Strange was the founder and guiding light of Word of Mouth. The first open mic was held upstairs at the Globe on December 2, 2009. Aralee, a poet and playwright, was born on December 5, 1943 in Macon, Georgia, from where at a young age she moved to Birmingham, Alabama. After living and working in Atlanta, Georgia, Cambridge, Massachusetts, and New York City, Aralee then settled for more than twenty years in Cincinnati, Ohio. In March 2007, she moved to Athens, Georgia, and lived there until her passing on June 15, 2013.
THE ROAD ITSELF, the first collection of her work, was published in October 2018 by Dos Madres Press in Cincinnati and is available here.
"The Road Itself rambles through a singular poet’s life and distills the world through her unflinching gaze; its author taking her own measure and the world’s without romantic filters. A 2 a.m. prophet, Strange declares to America, the mean and beautiful, I am an alarm clock / and I am ringing. Even so, there is the medicine of dirt and train song; there is the bandoneon and the saxophone; there is Strange, inviting you, step into the center / shall we dance?” In her life, Aralee drew a circle wherever she lit and pulled in poets from every which way." - Michelle Castleberry 

[Photo of Aralee by Bob Brussack]

"Brushwood and Thorns" Cleo Creech

"Brushwood and Thorns"
Cleo Creech

If you are brushwood and thorns,
you have been forced to become so,
to survive, to live, tough and twisted.
Your branches borne against ravages
the harsh unyielding elements
roots searching through barren soil.

Yet the roots of smallest weeds
can over time turn rocks to dust.
The miserly old trees above.
whose roots suck the soil dry,
though tall, find themselves corrupt,
rotting, hollow from within.

The storm approaches, winds shift;
sounds of cracking wood, crashing trees,
falling under their own dead weight.
Then upon gentle rains and a new day,
the brushwood and thorns leaf green
Remembering that they are roses

CLEO CREECH has been published online in White Crane and other journals. He is the founding editor of Java Monkey Speaks, a continuing anthology series of Atlanta-area poets, and is a past editor of Georgia Poetry Association. About "Brushwood and Thorns," Creech comments: In an effort to dismiss the protesters the president of Iran referred to them all as mere "brushwood and thorns." This has now been taken up as a ralllying call, and point of pride among protestors. Governments should be careful what they call their detractors, it may come back to haunt them, just ask the Cuban gusanos." 

"Maxwell Demon Bottle" - Ezekiel Black

"Maxwell Demon Bottle" - Ezekiel Black

Bleach [ME blechen < OE blæcan “whiten,”
deriv. of blāc “radiant, ablaze,” originally,
“without hue,” e.g. “He saw the firelight,
the brilliant beams that brightly shone.”
blāc alt. sp. of blæc, cf. BLACK]
An argument in barefoot
to track a rabbit in the young snow,
a rabbit smoking a tavern pipe.
Lampblack from the gaslight,
marrow and pitch, the portcullis.
Sirrah, sirrah, sirrah, obelus.
Black [ME blak < OE blæc, “jet, dark,”
also n. “ink,” e.g. “The guest slept inside
until the black raven, blithe of heart,
bode Heaven’s bliss.”] Black and white
tap the root, the salamander’s tongue.

"Maxwell Demon Bottle" orinally appeared online at N/A. Ezekiel Black is the featured poet at the next Word of Mouth open mic, Wednesday November 6 at the Globe in downtown Athens. Sign-up for open mic is 7 p.m. at the bar and readings begin at 8 p.m. upstairs